Sustainable Production: Locate Productions & albert

It’s becoming increasingly evident that the world needs to react quickly to the impending environmental challenges that we face. Here at Locate we have been looking at how we can make our production processes more sustainable and have teamed up with BAFTA to use their carbon management programme albert. 

Earlier this year we gathered the Locate Productions team at our Clapham HQ, for a days Carbon Literacy training. It was an inspiring day, delivered by the ever enthusiastic Roser Canela-Was from BAFTA, who talked us through the subject as a whole, as well as introducing us to albert. 

“albert is a collaborative BAFTA, indie and broadcaster backed project that provides the film and TV industries with the necessary expertise and opportunities to take action on environmental sustainability. The project aims for all UK screen content to be made in a way that benefits individuals, industry organisations and the planet. Delivered to reduce the environmental impact of the production process, to enable industry organisations to realise the environmental aspect of their stated vision and its implication for audience engagement.” 

 

We also had a visit from Ben Knowles, one of the directors at PedalMe, who explained about their zero emission bicycle courier and cab service – great evidence of a sustainable product, with competitive pricing, thats as efficient as the more conventional motor vehicle options.

We even trialled it out with Lisa and Mike doing a ride around the block…

On top of all this, a fantastic vegetarian lunch was provided by Mark at Salad Days – naturally, delivered to us by PedalMe

Although much work is needed we’ve put a number of things in place with the aim of making our production more sustainable. A lot of these ideas, along with others, can also be found on AdGreen’s website.

  • dedicated recycling / rubbish bags on set
  • switched to sustainable recycling / rubbish collections with Quantum Waste and Spotless Locations
  • use of reusable water bottles on set, branded bamboo tea / coffee cups and KeepCups
  • minimal printing and use of paper
  • encouraged all cast / crew to use public transport where possible
  • donate any wardrobe / leftover food to charities and / or local homeless shelters 
  • reducing the use of correx by switching from plastic floor coverings to Locamats or Ramboards when we can
  • encouragement of low meat menus on set
  • office composting scheme 
  • use PedalMe for couriers

We appreciate these are relatively small steps but are hoping to implement a number of other ideas moving forward:

  • plans to switch energy suppliers to Good Energy in summer 2019
  • implement the albert carbon calculator across the majority of productions 
  • establish a carbon offsetting scheme, working with various tree planting schemes around the UK and beyond.

There’s still more to do but we feel like we are heading in the right direction and the support from the team at BAFTA along with the use of albert has really encouraged and empowered us to keep making positive changes.

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At Locate we get to work with some of the best creatives in the business and we love being able to share with you the work they do and their career journeys.

One such creative is photographer Stephen Ambrose. Stephen is an award winning photographer working with design and advertising agencies across the UK. He has recently won 3rd place in the IPA awards Extreme sports category for his latest project Calcio Storico.

Tell us a bit about how you got in to photography? 

My initial interest in photography began with my Dad.  He was a keen amateur and had an SLR. As my interest developed my parents bought me my own SLR when I was 12.  After some bad careers advice I ended up doing business studies at college. I lived in a small northern town and all the careers adviser knew was high street portrait photographers.  Then i got a job in a factory driving a fork lift truck and packing boxes. I stayed for 9 years but towards the end of this time I studied photography at night school where my tutor, Debbie, persuaded me to give up my job and go to Blackpool college full time to study for a degree in photography.  After graduating I relocated to London and started to assist. Firstly Architecture with Peter Durant and Grant Smith and then I fell in to the advertising world when my assistant friend Vik got me in as a second on a shoot with Adam Hinton. This has now taken me all over the world on many campaigns working with all the agencies in London.  In 2017 I won the portrait category at the AOP awards and this gave me my first advertising campaign and I spent most of 2018 working on numerous adverts for Adidas.

What appealed to you about starting this project?

This project started after spending most of 2018 photographing footballers at the top of their game. Then this made me think about what it takes to get to top level sports and I did a project on a young gymnast which showed me the passion that develops from a young age.  Which then led me on to how that passion continues if it doesn’t become a career. I was looking for a project that would show the ultimate passion and sacrifice and I came across Calcio Storico.

What is Calcio Storico? 

Calcio Storico is a game fought between the four districts of Florence, Italy every year.  Twenty Seven men in each team play a fifty minute game. Two semi finals on the third weekend in June and then the final always played on the 24th June, La Festa di San Giovanni (the feast of John the Baptist).  The game has been played since the sixteenth century in the Piazza Santa Croce. Passions run high. They do it for the love of their districts. No money is involved. The rules are no sucker punches and only one on one fighting but apart from this pretty much anything goes.

What were the challenges you faced shooting the project?

The main challenge shooting this project was rupturing my right arm bicep tendon a week before.  But also, as with any project, was gaining access. I had tried to contact the Florence government and was getting nowhere.  Then Locate productions put me in contact with an Italian producer that made a few phone calls and advised me that the best thing to do was for me to write a letter to the Florence government and state my case.  Its a very local event and they like it that way. It’s not something that they want to publicise to the world so I think they liked that I was doing it for me. I didn’t hear anything until 4 days before the first semi final when they emailed to grant press access and then it was a rush to book flights and hotel.

What are you looking to work on next? 

Now I’m looking for an agent.  I find that I’m quoting on lots of jobs but losing out to photographers with agents. The quoting and usage process is a minefield which an agent would be massively helpful as with exposure and self promotion.  I enter competitions and see art buyers and art directors with my folio but that extra exposure would be good. I think an agent gives an ad agency or client confidence in the whole shoot process, even if we all use the same production companies, casting directors, stylists, make up artists etc etc etc.

For my next personal project I’m continuing on the weird and extreme sports of the world.  Calcio Storico was the beginning and it was such an experience. High pressure, spontaneous, chaotic but at the same time keeping yourself composed and thinking of the big picture and how each image will work in the project.  With no art direction and no sports choreography you’ve really got to nail it first time as there’s no repeats of any actions. It makes the commissioned work a little easier.

 

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